Trinayani Daily Serial – E1164 – 20th May

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E1164 – Part1 : Part2 – 20th May

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E1163 – Part1 : Part2 – 18th May
E1162 – Part1 : Part2 – 17th May
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E1159 – Part1 : Part2 – 14th May
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E1157 – Part1 : Part2 – 11th May
E1156 – Part1 : Part2 – 10th May
E1155 – Part1 : Part2 – 9th May
E1154 – Part1 : Part2 – 8th May
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E1152 – Part1 : Part2 – 6th May
E1151 – Part1 : Part2 – 4th May
E1150 – Part1 : Part2 – 3rd May
E1149 – Part1 : Part2 – 2nd May
E1148 – Part1 : Part2 – 1st May
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E1146 – Part1 : Part2 – 29th Apr
E1145 – Part1 : Part2 – 27th Apr
E1144 – Part1 : Part2 – 26th Apr
E1143 – Part1 : Part2 – 25th Apr
E1142 – Part1 : Part2 – 24th Apr
E1141 – Part1 : Part2 – 23rd Apr
E1140 – Part1 : Part2 – 22nd Apr
E1139 – Part1 : Part2 – 20th Apr
E1138 – Part1 : Part2 – 19th Apr


Recent Random Post:

Trivikram Srinivas: Retooling for the Future?

May 22, 2024

Trivikram Srinivas, the celebrated Tollywood writer-director, faces scrutiny after his latest film, “Guntur Karam,” failed to meet expectations. Critics found the story and execution lacking depth, with only Mahesh Babu’s performance salvaging the film to an extent. This has sparked discussions about Trivikram’s need to evolve his filmmaking style and break free from established patterns to retain his audience.

While an official announcement regarding his next project is awaited, reports suggest he is finalizing new scripts for actor Pawan Kalyan. This collaboration extends beyond writing, with Pawan reportedly trusting Trivikram to vet scripts from other directors and select the most promising ones. Industry insiders believe Trivikram played a key role in Pawan’s recent projects like “Vakeel Saab,” “Bro,” and “Bheemla Nayak,” all of which were remakes with Trivikram contributing the dialogues. He also greenlit the upcoming film “OG.”

With “Hari Hara Veera Mallu” slated for a late 2024 release and “OG” arriving in September, Pawan will have only “Ustaad Bhagat Singh” remaining in his active pipeline. Sources claim Trivikram has already prepared two new scripts for Pawan, with shooting to commence upon Pawan’s return from his political commitments.

However, this news has caused concern among Pawan Kalyan’s fans. Many are unhappy with Trivikram’s recent script selections for Pawan, fearing a continuation of the remake trend. Public opinion suggests Trivikram should prioritize his own directorial career over script selection for Pawan.

The coming days will be crucial for Trivikram Srinivas. He must navigate the expectations of both fans and critics. Will he adapt his filmmaking style to recapture his audience’s imagination, or will he continue on the current path? Only time will tell.