Prema Entha Madhuram
Watch Prema Entha Madhuram Daily Serial Online
Today’s Episode:
E947 – Part1 : Part2 – 25th May
Previous Episode :
E946 – Part1 : Part2 – 24thMay
E945 – Part1 : Part2 – 23rd May
E944 – Part1 : Part2 – 22nd May
E943 – Part1 : Part2 – 21st May
E942 – Part1 : Part2 – 20th May
E941 – Part1 : Part2 – 18th May
E940 – Part1 : Part2 – 17th May
E939 – Part1 : Part2 – 16th May
E938 – Part1 : Part2 – 15th May
E937 – Part1 : Part2 – 14th May
E936 – Part1 : Part2 – 13th May
E935 – Part1 : Part2 – 11th May
E934 – Part1 : Part2 – 10th May
E933 – Part1 : Part2 – 9th May
E932 – Part1 : Part2 – 8th May
E931 – Part1 : Part2 – 7th May
E930 – Part1 : Part2 – 6th May
E929 – Part1 : Part2 – 4th May
E928 – Part1 : Part2 – 3rd May
E927 – Part1 : Part2 – 2nd May
E926 – Part1 : Part2 – 1st May
E925 – Part1 : Part2 – 30th Apr
E924 – Part1 : Part2 – 29th Apr
E923 – Part1 : Part2 – 27th Apr
E922 – Part1 : Part2 – 26th Apr
E921 – Part1 : Part2 – 25th Apr
E920 – Part1 : Part2 – 24th Apr
E919 – Part1 : Part2 – 23rd Apr
E918 – Part1 : Part2 – 22nd Apr
E917 – Part1 : Part2 – 20th Apr
E916 – Part1 : Part2 – 19th Apr
Recent Random Post:
Bollywood’s Remake Frenzy: The Sequelization of Remakes
The trend of remaking South Indian blockbusters in Bollywood is well established, with mixed results at the box office. However, a recent development is taking this trend a step further: the creation of sequels for these remakes, which themselves are based on existing South Indian films.
This phenomenon is exemplified by the “Baaghi” franchise. All three “Baaghi” films are remakes of South Indian movies – “Varsham,” “Kshanam,” and “Tadakha” respectively. Now, Karan Johar’s Dharma Productions is replicating this strategy with “Dhadak” and its upcoming sequel.
Released in 2018, “Dhadak” launched actress Janhvi Kapoor and was a remake of the Marathi film “Sairat.” The upcoming “Dhadak 2” will feature an entirely new cast and crew and will be a remake of the Tamil blockbuster “Pariyerum Perumal.” Both films explore the sensitive topic of honor killings within the context of inter-caste love stories.
This approach raises several questions. Will audiences embrace sequels to films they might not even recognize as remakes in the first place? Can the emotional core of the original South Indian films be effectively translated twice, through a Hindi remake and then a sequel to that remake?
The success of “Dhadak 2,” starring Siddhant Chaturvedi and Triptii Dimri and slated for release in November 2024, will be a key indicator of the audience’s receptiveness to this new iteration of the remake formula. It remains to be seen whether this trend signifies a lack of original ideas in Bollywood or simply a strategic attempt to capitalize on proven storylines from other regional industries.
