Oorvasi vo Rakshasi vo Daily Serial
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Today’s Episode:
E99 – Part1 : Part2 – 30th Apr
Previous Episode:
E98 – Part1 : Part2 – 29th Apr
E97 – Part1 : Part2 – 26th Apr
E96 – Part1 : Part2 – 25th Apr
E95 – Part1 : Part2 – 24th Apr
E94 – Part1 : Part2 – 23rd Apr
E93 – Part1 : Part2 – 22th Apr
E92 – Part1 : Part2 – 19th Apr
E91 – Part1 : Part2 – 18th Apr
E90 – Part1 : Part2 – 17th Apr
E89 – Part1 : Part2 – 16th Apr
E88 – Part1 : Part2 – 15th Apr
E87 – Part1 : Part2 – 12th Apr
E86 – Part1 : Part2-11th Apr
E85 – Part1 : Part2-10th Apr
E84 – Part1 : Part2-9th Apr
E83 – Part1 : Part2 – 8th Apr
E82 – Part1 : Part2 – 5th Apr
E81 – Part1 : Part2 – 4th Apr
E80 – Part1 : Part2 – 3rd Apr
E79 – Part1 : Part2 – 2nd Apr
E78 – Part1 : Part2 – 1st Apr
E77 – Part1 : Part2 – 29th Mar
E76 – Part1 : Part2 – 28th Mar
E75 – Part1 : Part2 – 27th Mar
E74 – Part1 : Part2 – 26th Mar
E73 – Part1 : Part2 – 25th Mar
E72 – Part1 : Part2 – 22nd Mar
Recent Random Post:
Ileana D’Cruz: A Talented Actress Caught Between Industries
Ileana D’Cruz, a popular name in Telugu cinema, finds herself at an interesting juncture in her career. Despite settling in North India for over a decade, she retains a strong fanbase in the South. Known for her glamorous roles in Tollywood, her stardom there has dimmed in recent years.
Her Bollywood foray began brightly with the critically acclaimed “Barfi!” However, the initial promise fizzled out, leaving her with a dearth of substantial projects. This comes after welcoming her first child in 2023.
Addressing her career path, Ileana clarifies that her decision to do “Barfi!” wasn’t a strategic shift towards Bollywood. It was driven by a genuine love for the unique story. However, a misconception arose that she was abandoning South Indian cinema.
“There was this weird misconception that ‘she’s moving to Bollywood now. She’s not going to be interested in doing South films,'” she laments. This, coupled with her own increased selectivity after entering Bollywood, resulted in a significant decline in offers from the South.
Furthermore, Ileana feels a lot of her past work went unnoticed. Her recent Bollywood film, “Tera Kya Hoga Lovely,” tackled the sensitive issue of India’s obsession with fair skin. While the film addressed a social concern, it did not achieve widespread recognition.
Ileana D’Cruz’s situation highlights the challenges faced by actors attempting to navigate between regional film industries. Her talent and dedication are undeniable, yet she finds herself with limited opportunities in both Bollywood and Tollywood. The future remains uncertain, but her commitment to good storytelling suggests a potential resurgence with the right project.
