Okariki Okaru Daily Serial
Latest Episode:
E296 – Part1 : Part2 OR Click Here – 21st April
Previous Episodes:
E295 – Part1 : Part2 OR Click Here – 20th April
E294 – Part1 : Part2 OR Click Here – 19th April
E293 – Part1 : Part2OR Click Here – 18th April
E292 – Part1 : Part2 OR Click Here – 17th April
E291 – Part1 : Part2 OR Click Here – 16th April
E290 – Part1 : Part2 OR Click Here – 14th April
E289 – Part1 : Part2 OR Click Here – 13th April
E288 – Part1 : Part2 OR Click Here – 12th April
E287 – Part1 : Part2 OR Click Here – 11th April
E286 – Part1 : Part2 OR Click Here -10th April
E285 – Part1 : Part2OR Click Here -9th April
E284 – Part1 : Part2 OR Click Here – 7th April
E283 – Part1 : Part2OR Click Here -6th April
E282 – Part1 : Part2 OR Click Here – 5th April
E281 – Part1 : Part2 OR Click Here – 4th April
E280 – Part1 : Part2 – 3rd April
E279 – Part1 : Part2 OR Click Here – 2nd April
E278 – Part1 : Part2 OR Click Here – 31st Mar
E277 – Part1 : Part2 OR Click Here – 30th Mar
E276 – Part1 : Part2 OR Click Here – 29th Mar
E275 – Part1 : Part2 OR Click Here – 28th Mar
E273 – Part1 : Part2OR Click Here – 27th Mar
E273 – Part1 : Part2 OR Click Here – 26th Mar
E272 – Part1 : Part2 OR Click Here – 24th Mar
E271 – Part1 : Part2OR Click Here – 23rd Mar
E270 – Part1 : Part2OR Click Here – 22nd Mar
E269 – Part1 : Part2OR Click Here – 21st Mar
E268 – Part1 : Part2 OR Click Here – 20th
Recent Random Post:
Bollywood’s Remake Frenzy: The Sequelization of Remakes
The trend of remaking South Indian blockbusters in Bollywood is well established, with mixed results at the box office. However, a recent development is taking this trend a step further: the creation of sequels for these remakes, which themselves are based on existing South Indian films.
This phenomenon is exemplified by the “Baaghi” franchise. All three “Baaghi” films are remakes of South Indian movies – “Varsham,” “Kshanam,” and “Tadakha” respectively. Now, Karan Johar’s Dharma Productions is replicating this strategy with “Dhadak” and its upcoming sequel.
Released in 2018, “Dhadak” launched actress Janhvi Kapoor and was a remake of the Marathi film “Sairat.” The upcoming “Dhadak 2” will feature an entirely new cast and crew and will be a remake of the Tamil blockbuster “Pariyerum Perumal.” Both films explore the sensitive topic of honor killings within the context of inter-caste love stories.
This approach raises several questions. Will audiences embrace sequels to films they might not even recognize as remakes in the first place? Can the emotional core of the original South Indian films be effectively translated twice, through a Hindi remake and then a sequel to that remake?
The success of “Dhadak 2,” starring Siddhant Chaturvedi and Triptii Dimri and slated for release in November 2024, will be a key indicator of the audience’s receptiveness to this new iteration of the remake formula. It remains to be seen whether this trend signifies a lack of original ideas in Bollywood or simply a strategic attempt to capitalize on proven storylines from other regional industries.
