Mouna Raagam Serial – E658 – 30th Jan

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E658- Part1 : Part2 : Part3 – 30th Jan

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E657- Part1 : Part2 : Part3 – 29th Jan
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E634- Part1 : Part2 : Part3 – 2nd Jan
E633- Part1 : Part2 : Part3 – 31st Dec
E632- Part1 : Part2 : Part3 – 30th Dec
E631- Part1 : Part2 : Part3 – 29th Dec
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E625- Part1 : Part2 : Part3 – 21st Dec
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E624- Part1 : Part2 : Part3 – 19th Dec
E623- Part1 : Part2 : Part3 – 18th Dec
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E621- Part1 : Part2 : Part3 – 16th Dec
E620- Part1 : Part2 : Part3 – 15th Dec
E619- Part1 : Part2 : Part3 – 14th Dec
E618- Part1 : Part2 : Part3 – 12th Dec
E617- Part1 : Part2 : Part3 – 11th Dec
E616- Part1 : Part2 : Part3 – 10th Dec
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E609- Part1 : Part2 : Part3 – 2nd Dec
E608- Part1 : Part2 : Part3 – 1st Dec
E607- Part1 : Part2 : Part3 – 30th Nov
E606- Part1 : Part2 : Part3 – 28th Nov
E605- Part1 : Part2 : Part3 – 27th Nov
E604- Part1 : Part2 : Part3 – 26th Nov
E603- Part1 : Part2 : Part3 – 25th Nov
E602- Part1 : Part2 : Part3 – 24th Nov
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E600- Part1 : Part2 : Part3 – 21st Nov
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E595 – Part1 : Part2 : Part3 – 16th Nov
E594 – Part1 : Part2 : Part3 – 14th Nov
E593 – Part1 : Part2 : Part3 – 13th Nov
E592 – Part1 : Part2 : Part3 – 12th Nov


Recent Random Post:

Bollywood’s Remake Frenzy: The Sequelization of Remakes

May 28, 2024

The trend of remaking South Indian blockbusters in Bollywood is well established, with mixed results at the box office. However, a recent development is taking this trend a step further: the creation of sequels for these remakes, which themselves are based on existing South Indian films.

This phenomenon is exemplified by the “Baaghi” franchise. All three “Baaghi” films are remakes of South Indian movies – “Varsham,” “Kshanam,” and “Tadakha” respectively. Now, Karan Johar’s Dharma Productions is replicating this strategy with “Dhadak” and its upcoming sequel.

Released in 2018, “Dhadak” launched actress Janhvi Kapoor and was a remake of the Marathi film “Sairat.” The upcoming “Dhadak 2” will feature an entirely new cast and crew and will be a remake of the Tamil blockbuster “Pariyerum Perumal.” Both films explore the sensitive topic of honor killings within the context of inter-caste love stories.

This approach raises several questions. Will audiences embrace sequels to films they might not even recognize as remakes in the first place? Can the emotional core of the original South Indian films be effectively translated twice, through a Hindi remake and then a sequel to that remake?

The success of “Dhadak 2,” starring Siddhant Chaturvedi and Triptii Dimri and slated for release in November 2024, will be a key indicator of the audience’s receptiveness to this new iteration of the remake formula. It remains to be seen whether this trend signifies a lack of original ideas in Bollywood or simply a strategic attempt to capitalize on proven storylines from other regional industries.