Maama Gaaru
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Today’s Episode:
E220 – Part1 : Part2 – 27th May
Previous Episode:
E219 – Part1 : Part2 – 25th May
E218 – Part1 : Part2 – 24th May
E217 – Part1 : Part2 – 23rd May
E216 – Part1 : Part2 – 22nd May
E215 – Part1 : Part2 – 21st May
E214 – Part1 : Part2 – 20th May
E213 – Part1 : Part2 – 18th May
E212 – Part1 : Part2 – 17th May
E211 – Part1 : Part2 – 16th May
E210 – Part1 : Part2 – 15th May
E209 – Part1 : Part2 – 14th May
E208 – Part1 : Part2 – 13th May
E207 – Part1 : Part2 – 11th May
E206 – Part1 : Part2 – 10th May
E205 – Part1 : Part2 – 9th May
E204 – Part1 : Part2 – 8th May
E203 – Part1 : Part2 – 7th May
E202 – Part1 : Part2 – 6th May
E201 – Part1 : Part2 – 4th May
E200 – Part1 : Part2 – 3rd May
E199 – Part1 : Part2 – 2nd May
E198 – Part1 : Part2 – 30th Apr
E197 – Part1 : Part2 – 29th Apr
E196 – Part1 : Part2 – 27th Apr
E195 – Part1 : Part2 – 26th Apr
E194 – Part1 : Part2 – 25th Apr
E193 – Part1 : Part2 – 24th Apr
E192 – Part1 : Part2 – 23rd Apr
E191 – Part1 : Part2 – 22nd Apr
E190 – Part1 : Part2 – 20th Apr
E189 – Part1 : Part2 – 19th Apr
E188 – Part1 : Part2 – 18th Apr
E187 – Part1 : Part2 – 17th Apr
E186 – Part1 : Part2 – 16th Apr
E185 – Part1 : Part2 – 15th Apr
Recent Random Post:
Bollywood’s Remake Frenzy: The Sequelization of Remakes
The trend of remaking South Indian blockbusters in Bollywood is well established, with mixed results at the box office. However, a recent development is taking this trend a step further: the creation of sequels for these remakes, which themselves are based on existing South Indian films.
This phenomenon is exemplified by the “Baaghi” franchise. All three “Baaghi” films are remakes of South Indian movies – “Varsham,” “Kshanam,” and “Tadakha” respectively. Now, Karan Johar’s Dharma Productions is replicating this strategy with “Dhadak” and its upcoming sequel.
Released in 2018, “Dhadak” launched actress Janhvi Kapoor and was a remake of the Marathi film “Sairat.” The upcoming “Dhadak 2” will feature an entirely new cast and crew and will be a remake of the Tamil blockbuster “Pariyerum Perumal.” Both films explore the sensitive topic of honor killings within the context of inter-caste love stories.
This approach raises several questions. Will audiences embrace sequels to films they might not even recognize as remakes in the first place? Can the emotional core of the original South Indian films be effectively translated twice, through a Hindi remake and then a sequel to that remake?
The success of “Dhadak 2,” starring Siddhant Chaturvedi and Triptii Dimri and slated for release in November 2024, will be a key indicator of the audience’s receptiveness to this new iteration of the remake formula. It remains to be seen whether this trend signifies a lack of original ideas in Bollywood or simply a strategic attempt to capitalize on proven storylines from other regional industries.
