Mamagaaru Daily Serial – E216 – 22nd May

Show/Serial:Maama Gaaru
Starring:Suhasini
Channel:Star Maa

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Today’s Episode:

E216 – Part1 : Part2 – 22nd May

Previous Episode:

E215 – Part1 : Part2 – 21st May
E214 – Part1 : Part2 – 20th May

Previous Episode:

E213 – Part1 : Part2 – 18th May
E212 – Part1 : Part2 – 17th May
E211 – Part1 : Part2 – 16th May
E210 – Part1 : Part2 – 15th May
E209 – Part1 : Part2 – 14th May
E208 – Part1 : Part2 – 13th May
E207 – Part1 : Part2 – 11th May
E206 – Part1 : Part2 – 10th May
E205 – Part1 : Part2 – 9th May
E204 – Part1 : Part2 – 8th May
E203 – Part1 : Part2 – 7th May
E202 – Part1 : Part2 – 6th May
E201 – Part1 : Part2 – 4th May
E200 – Part1 : Part2 – 3rd May
E199 – Part1 : Part2 – 2nd May
E198 – Part1 : Part2 – 30th Apr
E197 – Part1 : Part2 – 29th Apr
E196 – Part1 : Part2 – 27th Apr
E195 – Part1 : Part2 – 26th Apr
E194 – Part1 : Part2 – 25th Apr
E193 – Part1 : Part2 – 24th Apr
E192 – Part1 : Part2 – 23rd Apr
E191 – Part1 : Part2 – 22nd Apr
E190 – Part1 : Part2 – 20th Apr
E189 – Part1 : Part2 – 19th Apr
E188 – Part1 : Part2 – 18th Apr
E187 – Part1 : Part2 – 17th Apr
E186 – Part1 : Part2 – 16th Apr
E185 – Part1 : Part2 – 15th Apr


Recent Random Post:

Trivikram Srinivas: Retooling for the Future?

May 22, 2024

Trivikram Srinivas, the celebrated Tollywood writer-director, faces scrutiny after his latest film, “Guntur Karam,” failed to meet expectations. Critics found the story and execution lacking depth, with only Mahesh Babu’s performance salvaging the film to an extent. This has sparked discussions about Trivikram’s need to evolve his filmmaking style and break free from established patterns to retain his audience.

While an official announcement regarding his next project is awaited, reports suggest he is finalizing new scripts for actor Pawan Kalyan. This collaboration extends beyond writing, with Pawan reportedly trusting Trivikram to vet scripts from other directors and select the most promising ones. Industry insiders believe Trivikram played a key role in Pawan’s recent projects like “Vakeel Saab,” “Bro,” and “Bheemla Nayak,” all of which were remakes with Trivikram contributing the dialogues. He also greenlit the upcoming film “OG.”

With “Hari Hara Veera Mallu” slated for a late 2024 release and “OG” arriving in September, Pawan will have only “Ustaad Bhagat Singh” remaining in his active pipeline. Sources claim Trivikram has already prepared two new scripts for Pawan, with shooting to commence upon Pawan’s return from his political commitments.

However, this news has caused concern among Pawan Kalyan’s fans. Many are unhappy with Trivikram’s recent script selections for Pawan, fearing a continuation of the remake trend. Public opinion suggests Trivikram should prioritize his own directorial career over script selection for Pawan.

The coming days will be crucial for Trivikram Srinivas. He must navigate the expectations of both fans and critics. Will he adapt his filmmaking style to recapture his audience’s imagination, or will he continue on the current path? Only time will tell.