That is Mahalakshmi Daily Serial – E232 – 5th Jun


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Latest Episode:

E232 –Part1 : Part2 OR Click Here– 5th Jun

Previous Episodes:

E231 –Part1 : Part2 – 4th Jun
E230 –Part1 : Part2 – 1st Jun
E229 –Part1 : Part2 OR Click Here– 31st May
E228 –Part1 : Part2 OR Click Here– 30th May
E227 –Part1 : Part2 OR Click Here– 29th May
E226 –Part1 : Part2OR Click Here-28th May
E225 –Part1 : Part2 OR Click Here-25th May
E224 –Part1 : Part2OR Click Here -24th May
E223 –Part1 : Part2 OR Click Here-23rd May
E222 –Part1 : Part2 OR Click Here-22nd May
E221 –Part1 : Part2 OR Click Here-21st May
E220 –Part1 : Part2OR Click Here– 18th May
E219 –Part1 : Part2 OR Click Here– 17th May
E218 –Part1 : Part2OR Click Here– 16th May`
E217 –Part1 : Part2OR Click Here– 15th May
E216 –Part1 : Part2OR Click Here– 14th May
E215 –Part1 : Part2OR Click Here– 11th May
E214 –Part1 : Part2: Part3 OR Click Here– 10th


Recent Random Post:

Ram Pothineni: Seeking Revival Amidst Speculation and Uncertainty

April 29, 2024

Ram Pothineni, a prominent figure in Telugu cinema, currently finds himself at a critical juncture in his career. Having delivered three consecutive box-office disappointments with “Red,” “The Warriorr,” and “Skanda,” Pothineni is ardently seeking a revival. His upcoming project, “Double Ismart,” a sequel to the highly successful “Ismart Shankar” directed by Puri Jagannadh, has ignited anticipation amongst fans. However, this optimism is entwined with murmurs of a potential collaboration with director Parusurama, casting a shadow of uncertainty.

Parusurama’s most recent directorial venture, “Family Star,” featuring Vijay Deverakonda and Mrunal Thakur, met with a lackluster commercial response, causing apprehension amongst Pothineni’s fan base. Reports suggest that despite these reservations, Pothineni has greenlit the project with Parusurama. The genre of this film and its potential influence on Pothineni’s career trajectory have become a topic of fervent discussion on social media platforms.

While Puri Jagannadh has collaborated successfully with Pothineni in the past, his recent directorial choices have yielded films that have underperformed critically and commercially. This raises a pertinent question: will “Double Ismart” serve as the triumphant comeback vehicle Pothineni craves? The addition of the Parusurama collaboration, shrouded in the afterglow of his latest flop, merely intensifies the surrounding ambiguity.

Pothineni’s ardent supporters are understandably engrossed in speculation. Will these upcoming projects propel him back to the pinnacle of success, or will he face a challenging uphill battle? Only time will reveal if Pothineni can recapture his box-office mojo and deliver a resounding commercial triumph.