That is Mahalakshmi Daily Serial – E232 – 5th Jun


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Latest Episode:

E232 –Part1 : Part2 OR Click Here– 5th Jun

Previous Episodes:

E231 –Part1 : Part2 – 4th Jun
E230 –Part1 : Part2 – 1st Jun
E229 –Part1 : Part2 OR Click Here– 31st May
E228 –Part1 : Part2 OR Click Here– 30th May
E227 –Part1 : Part2 OR Click Here– 29th May
E226 –Part1 : Part2OR Click Here-28th May
E225 –Part1 : Part2 OR Click Here-25th May
E224 –Part1 : Part2OR Click Here -24th May
E223 –Part1 : Part2 OR Click Here-23rd May
E222 –Part1 : Part2 OR Click Here-22nd May
E221 –Part1 : Part2 OR Click Here-21st May
E220 –Part1 : Part2OR Click Here– 18th May
E219 –Part1 : Part2 OR Click Here– 17th May
E218 –Part1 : Part2OR Click Here– 16th May`
E217 –Part1 : Part2OR Click Here– 15th May
E216 –Part1 : Part2OR Click Here– 14th May
E215 –Part1 : Part2OR Click Here– 11th May
E214 –Part1 : Part2: Part3 OR Click Here– 10th


Recent Random Post:

Sanjay Leela Bhansali Fails On OTT With ‘Heeramandi’!

May 3, 2024

Sanjay Leela Bhansali, renowned for his grand visuals and artistic storytelling, ventured into the OTT space with his high-budget web series “Heeramandi.” Set in the pre-independence era, the series promised a visually stunning drama revolving around the lives of courtesans in Heeramandi.

While the trailer impressed audiences with its grandeur, the series itself has received mixed reviews.

On the positive side, Bhansali’s signature style shines through. The visuals are undeniably captivating, with meticulous attention to detail in camerawork, lighting, costumes, set design, and choreography.

However, the series falters in its screenplay. Bhansali’s focus on intricate details leads to a sluggish narrative, making it difficult for viewers to connect with the characters. This has resulted in disappointment among many viewers who invested over 7 hours in watching the series.

Critics suggest that Bhansali’s insistence on replicating his established visual style might be hindering him from exploring more contemporary and relevant themes.

Overall, “Heeramandi” appears to be a missed opportunity for Bhansali, falling short of expectations despite its visual brilliance.