Madhumasam Daily Serial – E172 – 27th March

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E172 – Part1 : Part2: Part3 – 27th March

Previous Episode:

E171 – Part1 : Part2: Part3 – 26th March
E170 – Part1 : Part2: Part3 – 24th March
E169 – Part1 : Part2: Part3 – 23rd March
E168 – Part1 : Part2: Part3 – 20th March
E167 – Part1 : Part2: Part3 – 19th March
E166 – Part1 : Part2: Part3 – 18th March
E165 – Part1 : Part2: Part3 – 17th March
E164 – Part1 : Part2: Part3 – 16th March
E163 – Part1 : Part2: Part3– 14th March
E162 – Part1 : Part2– 13th March
E161 – Part1 : Part2: Part3 – 12th March
E160 – Part1 : Part2: Part3 – 11th March
E159 – Part1 : Part2: Part3 – 10th March
E158 – Part1 : Part2: Part3 – 9th March
E157 – Part1 : Part2: Part3 – 7th March
E156 – Part1 : Part2: Part3 – 6th March
E155 – Part1 : Part2: Part3 – 5th March
E154 – Part1 : Part2: Part3 – 4th March
E153 – Part1 : Part2: Part3 – 3rd March
E152 – Part1 : Part2: Part3 – 2nd March
E151 – Part1 : Part2: Part3 – 29th Feb
E150 – Part1 : Part2: Part3 – 28th Feb
E149 – Part1 : Part2: Part3 – 27th Feb
E148 – Part1 : Part2: Part3 – 26th Feb
E147 – Part1 : Part2: Part3 – 25th Feb
E146 – Part1 : Part2: Part3 – 24th Feb
E145 – Part1 : Part2: Part3 – 22nd Feb
E144 – Part1 : Part2: Part3 – 21st Feb
E143 – Part1 : Part2: Part3 – 20th Feb


Recent Random Post:

Ileana D’Cruz: A Talented Actress Caught Between Industries

April 30, 2024

Ileana D’Cruz, a popular name in Telugu cinema, finds herself at an interesting juncture in her career. Despite settling in North India for over a decade, she retains a strong fanbase in the South. Known for her glamorous roles in Tollywood, her stardom there has dimmed in recent years.

Her Bollywood foray began brightly with the critically acclaimed “Barfi!” However, the initial promise fizzled out, leaving her with a dearth of substantial projects. This comes after welcoming her first child in 2023.

Addressing her career path, Ileana clarifies that her decision to do “Barfi!” wasn’t a strategic shift towards Bollywood. It was driven by a genuine love for the unique story. However, a misconception arose that she was abandoning South Indian cinema.

“There was this weird misconception that ‘she’s moving to Bollywood now. She’s not going to be interested in doing South films,'” she laments. This, coupled with her own increased selectivity after entering Bollywood, resulted in a significant decline in offers from the South.

Furthermore, Ileana feels a lot of her past work went unnoticed. Her recent Bollywood film, “Tera Kya Hoga Lovely,” tackled the sensitive issue of India’s obsession with fair skin. While the film addressed a social concern, it did not achieve widespread recognition.

Ileana D’Cruz’s situation highlights the challenges faced by actors attempting to navigate between regional film industries. Her talent and dedication are undeniable, yet she finds herself with limited opportunities in both Bollywood and Tollywood. The future remains uncertain, but her commitment to good storytelling suggests a potential resurgence with the right project.