Sometimes we wonder how certain films are made and they lead to various questions swarming the mind.
A beaten to death rubbish story with mindless twists and ridiculous sentiments is projected as a great story with great content and made into a heavy budgeted film. As the film bites the dust at box office, few producers go on saying that they are not fools to come up with pale stories but only the execution part has failed.
Frankly speaking, the stories of these ‘routine’ films are itself a rubbish which generally should not be made into a film. Recently we have similar beaten-to-death story churned out as a silver screen extravaganza only to test the patience of people in theatres. If audiences feel why these type of films are made, again and again, critics feel what are their past birth deeds that cursed them to watch these run-of-mill stuff most of the time.
But those who are aspiring filmmakers with real good stories in hand ask to themselves: “How to catch producers in this way with a stupid story in hand? How to make a happening hero convince with a nonsensical story so easily? How to? How? Hh?”
Probably the directors who are making such silly movies should write a book, or a thesis, on how to catch producers!!
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