Brahma Mudi
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Today’s Episode:
E420 – Part1: Part2 – 27th May
Previous Episode:
E419 – Part1: Part2 – 25th May
E418 – Part1: Part2 – 24th May
E417 – Part1: Part2 – 23rd May
E416 – Part1: Part2 – 22nd May
E415 – Part1: Part2 – 21st May
E414 – Part1: Part2-20th May
E413 – Part1: Part2-18th May
E412 – Part1: Part2-17th May
E411 – Part1: Part2 -16th May
E410 – Part1: Part2 -15th May
E409 – Part1: Part2 -14th May
E408 – Part1: Part2 -13th May
E407 – Part1: Part2 -11th May
E406 – Part1: Part2 -10th May
E405 – Part1: Part2 -9th May
E404 – Part1: Part2 -8th May
E403 – Part1: Part2 -7th May
E402 – Part1: Part2 -6th May
E401 – Part1: Part2 -4th May
E400 – Part1: Part2 -3rd May
E399 – Part1: Part2 -2nd May
E398 – Part1: Part2 -1st May
E397 – Part1: Part2 -30th Apr
E396 – Part1: Part2 -29th Apr
E395 – Part1: Part2 -27th Apr
E394 – Part1: Part2 -26th Apr
E393 – Part1: Part2 -25th Apr
E392 – Part1: Part2 -24th Apr
E391 – Part1: Part2 -23rd Apr
E390 – Part1: Part2 -22nd Apr
E389 – Part1: Part2 -20th Apr
E388 – Part1: Part2 -19th Apr
E387 – Part1: Part2 -18th Apr
E386 – Part1: Part2 -16th Apr
E385 – Part1: Part2 -15th Apr
E384 – Part1: Part2 -13th Apr
Recent Random Post:
Bollywood’s Remake Frenzy: The Sequelization of Remakes
The trend of remaking South Indian blockbusters in Bollywood is well established, with mixed results at the box office. However, a recent development is taking this trend a step further: the creation of sequels for these remakes, which themselves are based on existing South Indian films.
This phenomenon is exemplified by the “Baaghi” franchise. All three “Baaghi” films are remakes of South Indian movies – “Varsham,” “Kshanam,” and “Tadakha” respectively. Now, Karan Johar’s Dharma Productions is replicating this strategy with “Dhadak” and its upcoming sequel.
Released in 2018, “Dhadak” launched actress Janhvi Kapoor and was a remake of the Marathi film “Sairat.” The upcoming “Dhadak 2” will feature an entirely new cast and crew and will be a remake of the Tamil blockbuster “Pariyerum Perumal.” Both films explore the sensitive topic of honor killings within the context of inter-caste love stories.
This approach raises several questions. Will audiences embrace sequels to films they might not even recognize as remakes in the first place? Can the emotional core of the original South Indian films be effectively translated twice, through a Hindi remake and then a sequel to that remake?
The success of “Dhadak 2,” starring Siddhant Chaturvedi and Triptii Dimri and slated for release in November 2024, will be a key indicator of the audience’s receptiveness to this new iteration of the remake formula. It remains to be seen whether this trend signifies a lack of original ideas in Bollywood or simply a strategic attempt to capitalize on proven storylines from other regional industries.
