Amma Nenu O Ammayi Daily Serial
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Latest Episode:
E394 – Part1 : Part2 – 21st Dec
Previous Episodes:
E393 – Part1 : Part2 – 20th Dec
E392 – Part1 : Part2 – 19th Dec
E391 – Part1 : Part2 – 18th Dec
E390 – Part1 : Part2 – 17th Dec
E389 – Part1 : Part2 – 13th Dec
E388 – Part1 : Part2 – 12th Dec
E387 – Part1 : Part2 – 11th Dec
E386 – Part1 : Part2 – 10th Dec
E385 – Part1 : Part2 – 7th Dec
E384 – Part1 : Part2 – 6th Dec
E383 – Part1 : Part2 – 5th Dec
E382 – Part1 : Part2 – 4th Dec
E381 – Part1 : Part2 – 3rd Dec
E380 – Part1 : Part2 – 30th Nov
E379 – Part1 : Part2 – 29th Nov
E378 – Part1 : Part2 – 28th Nov
E377 – Part1 : Part2 – 27th Nov
E376 – Part1 : Part2 – 26th Nov
E375 – Part1 : Part2 – 23rd Nov
E374 – Part1 : Part2 – 21st Nov
Recent Random Post:
Bollywood’s Remake Frenzy: The Sequelization of Remakes
The trend of remaking South Indian blockbusters in Bollywood is well established, with mixed results at the box office. However, a recent development is taking this trend a step further: the creation of sequels for these remakes, which themselves are based on existing South Indian films.
This phenomenon is exemplified by the “Baaghi” franchise. All three “Baaghi” films are remakes of South Indian movies – “Varsham,” “Kshanam,” and “Tadakha” respectively. Now, Karan Johar’s Dharma Productions is replicating this strategy with “Dhadak” and its upcoming sequel.
Released in 2018, “Dhadak” launched actress Janhvi Kapoor and was a remake of the Marathi film “Sairat.” The upcoming “Dhadak 2” will feature an entirely new cast and crew and will be a remake of the Tamil blockbuster “Pariyerum Perumal.” Both films explore the sensitive topic of honor killings within the context of inter-caste love stories.
This approach raises several questions. Will audiences embrace sequels to films they might not even recognize as remakes in the first place? Can the emotional core of the original South Indian films be effectively translated twice, through a Hindi remake and then a sequel to that remake?
The success of “Dhadak 2,” starring Siddhant Chaturvedi and Triptii Dimri and slated for release in November 2024, will be a key indicator of the audience’s receptiveness to this new iteration of the remake formula. It remains to be seen whether this trend signifies a lack of original ideas in Bollywood or simply a strategic attempt to capitalize on proven storylines from other regional industries.
