Amma Daily Serial – E300 – 24th April Final Episode

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Starring:shubhaleka sudhakar
Channel:ETV Telugu

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E300 – Part1 : Part2 : Part3 – 24th April

Previous Episode

E299 – Part1 : Part2 – 23rd April
E298 – Part1 : Part2 – 22nd April
E297 – Part1 : Part2 – 21st April
E296 – Part1 : Part2 – 20th April
E295 – Part1 : Part2 : Part3 – 19th April
E294 – Part1 : Part2 – 17th April
E293 – Part1 : Part2 – 16th April
E292 – Part1 : Part2 – 15th April
E291 – Part1 : Part2 – 14th April
E290 – Part1 : Part2 : Part3 – 13th April
E289 – Part1 : Part2 – 12th April
E288 – Part1 : Part2 – 10th April
E287 – Part1 : Part2 – 9th April
E286 – Part1 : Part2 – 8th April
E285 – Part1 : Part2 : Part3 – 7th April
E284 – Part1 : Part2 : Part3 – 6th April
E283 – Part1 : Part2 – 5th April
E282 – Part1 : Part2 – 3rd April
E281 – Part1 : Part2 : Part3 – 2nd April
E280 – Part1 : Part2 : Part3 – 1st April
E279 – Part1 : Part2 : Part3 – 31st March
E278 – Part1 : Part2 : Part3 – 30th March
E277 – Part1 : Part2 : Part3 – 29th March
E276 – Part1 : Part2 : Part3 – 27th March
E275 – Part1 : Part2 : Part3 – 26th March
E274 – Part1 : Part2 : Part3 – 25th March
E273 – Part1 : Part2 : Part3 – 24th March
E272 – Part1 : Part2 : Part3 – 23rd March
E271 – Part1 : Part2 : Part3 – 22nd March
E270 – Part1 : Part2 : Part3 – 20th March
E269 – Part1 : Part2 : Part3 – 19th March
E268 – Part1 : Part2 – 18th March
E267 – Part1 : Part2 – 17th March
E266 – Part1 : Part2 – 16th March
E265 – Part1 : Part2 : Part3 – 15th March
E264 – Part1 : Part2 : Part3 – 13th March
E263 – Part1 : Part2 : Part3 – 12th March
E262 – Part1 : Part2 : Part3 – 11th March
E261 – Part1 : Part2 : Part3 – 10th March
E260 – Part1 : Part2 : Part3 – 9th March
E259 – Part1 : Part2 – 8th March
E258 – Part1 : Part2 – 6th March
E257 – Part1 : Part2 – 5th March
E256 – Part1 : Part2 : Part3 – 4th March
E255 – Part1 : Part2 : Part3 – 3rd March
E254 – Part1 : Part2 : Part3 – 2nd March
E253 – Part1 : Part2 : Part3 – 1st March
E252 – Part1 : Part2 : Part3 – 27th Feb
E251 – Part1 : Part2 : Part3 – 26th Feb
E250 – Part1 : Part2 : Part3 – 25th Feb
E249 – Part1 : Part2 : Part3 – 24th Feb
E248 – Part1 : Part2 : Part3 – 23rd Feb
E247 – Part1 : Part2 : Part3 – 22nd Feb
E246 – Part1 : Part2 : Part3 – 20th Feb
E245 – Part1 : Part2 : Part3 – 19th Feb
E244 – Part1 : Part2 : Part3 – 18th Feb
E243 – Part1 : Part2 : Part3 – 17th Feb
E242 – Part1 : Part2 : Part3 – 16th Feb
E241 – Part1 : Part2 : Part3 – 15th Feb
E240 – Part1 : Part2 : Part3 – 13th Feb
E239 – Part1 : Part2 : Part3 – 12th Feb
E238 – Part1 : Part2 : Part3 – 11th Feb


Recent Random Post:

Bollywood’s Remake Frenzy: The Sequelization of Remakes

May 28, 2024

The trend of remaking South Indian blockbusters in Bollywood is well established, with mixed results at the box office. However, a recent development is taking this trend a step further: the creation of sequels for these remakes, which themselves are based on existing South Indian films.

This phenomenon is exemplified by the “Baaghi” franchise. All three “Baaghi” films are remakes of South Indian movies – “Varsham,” “Kshanam,” and “Tadakha” respectively. Now, Karan Johar’s Dharma Productions is replicating this strategy with “Dhadak” and its upcoming sequel.

Released in 2018, “Dhadak” launched actress Janhvi Kapoor and was a remake of the Marathi film “Sairat.” The upcoming “Dhadak 2” will feature an entirely new cast and crew and will be a remake of the Tamil blockbuster “Pariyerum Perumal.” Both films explore the sensitive topic of honor killings within the context of inter-caste love stories.

This approach raises several questions. Will audiences embrace sequels to films they might not even recognize as remakes in the first place? Can the emotional core of the original South Indian films be effectively translated twice, through a Hindi remake and then a sequel to that remake?

The success of “Dhadak 2,” starring Siddhant Chaturvedi and Triptii Dimri and slated for release in November 2024, will be a key indicator of the audience’s receptiveness to this new iteration of the remake formula. It remains to be seen whether this trend signifies a lack of original ideas in Bollywood or simply a strategic attempt to capitalize on proven storylines from other regional industries.