Vasantham Daily Serial – E1340 – 17th April


Serial Plot:
Vasantham is a dubbed ETV serial. ETV Telugu is a 24 x 7 satellite channel comprising general entertainment programming from South India containing serials, both fiction and non-fiction, reality show oriented programs, devotional programs, feature films, tele-films, musical programs, film based programs, youth based programs, women's infotainment programs, special ground events including events for some of the film based programs, musical based programs (reality show oriented and other similar) and special programs relating to major festivals specific to Telugu language speaking community and the Indian State of Andhra Pradesh.

Vasantham Serial

Todays Episode :

E1340 – Part1 : Part2 – 17th April

Previous Episodes:

E1339- Part1 : Part2 – 16th April
E1338- Part1 : Part2 – 15th April
E1337- Part1 : Part2 – 14th April
E1336- Part1 : Part2 – 13th April
E1335- Part1 : Part2 – 10th April
E1334 – Part1 : Part2 – 9th April
E1333 – Part1 : Part2 – 7th April
E1332 – Part1 : Part2 – 6th April
E1331 – Part1 : Part2 – 3rd April
E1329 – Part1 : Part2 : Part3– 1st April
E1328 – Part1 : Part2– 31st March
E1327 – Part1 : Part2 : Part3 – 27th March
E1326 – Part1 : Part2 : Part3 – 26th March
E1325 – Part1 : Part2 : Part3 – 25th March
E1324 – Part1 : Part2 : Part3 – 23rd March
E1323 – Part1 : Part2 : Part3 – 20th March
E1322- Part1 : Part2 : Part3 – 19th March
E1321- Part1 : Part2 : Part3 – 18th March
E1320- Part1 : Part2 : Part3 – 17th March
E1319- Part1 : Part2 : Part3 – 16th March
E1318- Part1 : Part2 : Part3 – 13th March
E1317- Part1 : Part2 : Part3 – 12th March
E1316- Part1 : Part2 : Part3 – 11th March
E1315- Part1 : Part2 : Part3 – 10th March
E1314- Part1 : Part2 : Part3 – 9th March
E1313- Part1 : Part2 : Part3 – 6th March
E1312- Part1 : Part2 : Part3 – 5th March
E1311- Part1 : Part2 : Part3 – 4th March
E1310- Part1 : Part2 : Part3 – 3rd March
E1309- Part1 : Part2 : Part3 – 2nd March
E1308- Part1 : Part2 : Part3 – 28th Feb
E1307- Part1 : Part2 : Part3 – 27th Feb
E1306- Part1 : Part2 : Part3 – 26th Feb
E1305- Part1 : Part2 : Part3 – 25th Feb
E1304- Part1 : Part2 : Part3 – 24th Feb
E1303- Part1 : Part2 : Part3 – 20th Feb


Recent Random Post:

A Shift in Gears: Maruthi’s Evolving Filmmaking Approach

March 24, 2024

Maruthi, a name synonymous with successful low-budget films in Tollywood, has carved a niche for himself by prioritizing strong narratives over big stars and extravagant productions. Films like “Ee Rojullo” and “Bus Stop” stand as testaments to his ability to deliver compelling stories with a focus on efficiency. Even when collaborating with established actors like in “Bhale Bhale Magadivoy” and “Mahanubhavudu,” Maruthi maintained his signature style, keeping budgets tight and production schedules swift.

However, a recent development has sparked intrigue amongst fans. Maruthi is now directing Prabhas, the pan-Indian superstar known for his larger-than-life projects like “Baahubali.” This collaboration has raised questions about Maruthi’s filmmaking approach. Will he adapt to Prabhas’ high-budget, time-intensive style, or will he manage to infuse his signature efficiency into the project?

Early reports suggest a significant shift. Maruthi’s previous film, “Ee Rojullo,” was reportedly made for a mere ₹30 lakhs, a stark contrast to their current project with Prabhas, “Rajasaab.” News suggests a budget of nearly ₹4 crores spent in just four days of shooting on “Rajasaab.” Maruthi himself acknowledged this change, stating that with a different film, this budget could have produced several projects.

This collaboration has ignited a sense of anticipation. Will this shift in budgetary constraints impact Maruthi’s storytelling strengths? While fans appreciate his pragmatic approach, the potential for a high-production-value Prabhas film directed by Maruthi is undeniably exciting. Only time will tell if this collaboration will lead to a successful marriage of Maruthi’s signature style with the grandeur associated with Prabhas’ projects. The wait for “Rajasaab” promises to reveal whether this marks a definitive change in Maruthi’s filmmaking journey or a one-time foray into a new territory.