Subha Sankalpam Daily Serial – E98 – 8th April

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E98 – Part1 : Part2 : Part3 – 8th April

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E97 – Part1 : Part2 : Part3 – 27th March
E96 – Part1 : Part2 : Part3 – 26th March
E95 – Part1 : Part2 : Part3 – 24th March
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E93 – Part1 : Part2 : Part3 – 20th March
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E85 – Part1 : Part2 : Part3 – 10th March
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E80 – Part1 : Part2 : Part3 – 4th March
E79 – Part1 : Part2 : Part3 – 3rd March
E78 – Part1 : Part2 : Part3 – 2nd March
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E78 – Part1 : Part2 : Part3 – 27th Feb
E74 – Part1 : Part2 : Part3 – 26th Feb
E73 – Part1 : Part2 : Part3 – 25th Feb
E72 – Part1 : Part2 : Part3 – 24th Feb
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E69 – Part1 : Part2 : Part3 – 20th Feb


Recent Random Post:

Prithviraj Sukumaran: Beyond the Nepotism Label

March 23, 2024

Prithviraj Sukumaran, a prominent figure in Malayalam cinema, recently addressed the concept of “nepotism” while promoting his upcoming film, “The Goat Life.” The term, often used critically, refers to children of established actors or filmmakers who receive preferential treatment in the film industry.

Sukumaran, with refreshing honesty, acknowledged his own background. He credited his father, producer and actor Sukumaran, for securing his debut film, “Nandanam,” in 2002. However, he strongly emphasized that family connections merely provide an initial opportunity. “The industry gave me that first chance,” he stated, “but it’s my talent that has sustained me all these years.”

Sukumaran’s perspective holds significant weight. The film industry is littered with examples of aspiring actors from film families who failed to establish themselves. Prithviraj’s own career trajectory serves as a powerful counterpoint. He has evolved beyond acting, showcasing his multifaceted talent as a director, producer, and distributor.

His upcoming film, “The Goat Life,” exemplifies this versatility. Co-produced by Sukumaran himself, the film promises to be a captivating experience. Directed by Blessy and featuring the legendary A.R. Rahman’s music, it’s a survival drama starring Prithviraj alongside Amala Paul. Notably, the film will have a pan-Indian release in Malayalam, Tamil, Telugu, Hindi, and Kannada, highlighting Sukumaran’s growing influence beyond the boundaries of Malayalam cinema.

In conclusion, Prithviraj Sukumaran’s story transcends the limitations of the “nepotism” label. While he acknowledges the initial advantage of his background, his career stands as a testament to the power of talent, hard work, and a multifaceted approach to filmmaking.