Krishna Tulasi Daily Serial – E548 – 26th Nov

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Latest Episode:

E548 – Part1 : Part2 – 26th Nov

Previous Episodes:

E547 – Part1 : Part2 – 25th Nov
E546 – Part1 : Part2 – 24th Nov
E545 – Part1 : Part2 – 23rd Nov
E544 – Part1 : Part2 – 22nd Nov
E543 – Part1 : Part2 – 21st Nov
E542 – Part1 : Part2 – 19th Nov
E541 – Part1 : Part2 – 18th Nov
E540 – Part1 : Part2 – 17th Nov
E539 – Part1 : Part2 – 16th Nov
E538 – Part1 : Part2 – 15th Nov
E537 – Part1 : Part2 – 14th Nov
E536 – Part1 : Part2 – 12th Nov
E535 – Part1 : Part2 – 11th Nov
E534 – Part1 : Part2 – 10th Nov
E533 – Part1 : Part2 – 9th Nov
E532 – Part1 : Part2 – 8th Nov
E531 – Part1 : Part2 – 7th Nov
E530 – Part1 : Part2 – 5th Nov
E529 – Part1 : Part2 – 4th Nov
E528 – Part1 : Part2 -3rd Nov
E527 – Part1 : Part2 -2nd Nov
E526 – Part1 : Part2 -1st Nov
E525 – Part1 : Part2 – 31st Oct
E524 – Part1 : Part2 – 29th Oct
E523 – Part1 : Part2 – 28th Oct
E522 – Part1 : Part2 – 27th Oct
E521 – Part1 : Part2 – 26th Oct
E520 – Part1 : Part2 – 25th Oct
E519 – Part1 : Part2 – 24th Oct
E518 – Part1 : Part2 – 21st Oct
E517 – Part1 : Part2 – 20th Oct
E516 – Part1 : Part2 – 19th Oct
E515 – Part1 : Part2 – 17th Oct
E512 – Part1 : Part2 – 15th Oct


Recent Random Post:

A Shift in Gears: Maruthi’s Evolving Filmmaking Approach

March 24, 2024

Maruthi, a name synonymous with successful low-budget films in Tollywood, has carved a niche for himself by prioritizing strong narratives over big stars and extravagant productions. Films like “Ee Rojullo” and “Bus Stop” stand as testaments to his ability to deliver compelling stories with a focus on efficiency. Even when collaborating with established actors like in “Bhale Bhale Magadivoy” and “Mahanubhavudu,” Maruthi maintained his signature style, keeping budgets tight and production schedules swift.

However, a recent development has sparked intrigue amongst fans. Maruthi is now directing Prabhas, the pan-Indian superstar known for his larger-than-life projects like “Baahubali.” This collaboration has raised questions about Maruthi’s filmmaking approach. Will he adapt to Prabhas’ high-budget, time-intensive style, or will he manage to infuse his signature efficiency into the project?

Early reports suggest a significant shift. Maruthi’s previous film, “Ee Rojullo,” was reportedly made for a mere ₹30 lakhs, a stark contrast to their current project with Prabhas, “Rajasaab.” News suggests a budget of nearly ₹4 crores spent in just four days of shooting on “Rajasaab.” Maruthi himself acknowledged this change, stating that with a different film, this budget could have produced several projects.

This collaboration has ignited a sense of anticipation. Will this shift in budgetary constraints impact Maruthi’s storytelling strengths? While fans appreciate his pragmatic approach, the potential for a high-production-value Prabhas film directed by Maruthi is undeniably exciting. Only time will tell if this collaboration will lead to a successful marriage of Maruthi’s signature style with the grandeur associated with Prabhas’ projects. The wait for “Rajasaab” promises to reveal whether this marks a definitive change in Maruthi’s filmmaking journey or a one-time foray into a new territory.