Krishna Mukunda Murari Daily Serial – E429 – 28th Mar

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E429 – Part1 : Part2 – 28th Mar

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E428 – Part1 : Part2 – 26th Mar
E427 – Part1 : Part2 – 25th Mar
E426 – Part1 : Part2 – 23rd Mar
E425 – Part1 : Part2 – 22nd Mar
E424 – Part1 : Part2 – 21st Mar
E423 – Part1 : Part2 – 20th Mar
E422 – Part1 : Part2 – 19th Mar
E421 – Part1 : Part2 – 18th Mar
E420 – Part1 : Part2 – 16th Mar
E419 – Part1 : Part2 – 15th Mar
E418 – Part1 : Part2 – 14th Mar
E417 – Part1 : Part2 – 13th Mar
E416 – Part1 : Part2 – 12th Mar
E415 – Part1 : Part2 – 11th Mar
E414 – Part1 : Part2 – 9th Mar
E413 – Part1 : Part2 – 8th Mar
E412 – Part1 : Part2 – 7th Mar


Recent Random Post:

A Shift in Gears: Maruthi’s Evolving Filmmaking Approach

March 24, 2024

Maruthi, a name synonymous with successful low-budget films in Tollywood, has carved a niche for himself by prioritizing strong narratives over big stars and extravagant productions. Films like “Ee Rojullo” and “Bus Stop” stand as testaments to his ability to deliver compelling stories with a focus on efficiency. Even when collaborating with established actors like in “Bhale Bhale Magadivoy” and “Mahanubhavudu,” Maruthi maintained his signature style, keeping budgets tight and production schedules swift.

However, a recent development has sparked intrigue amongst fans. Maruthi is now directing Prabhas, the pan-Indian superstar known for his larger-than-life projects like “Baahubali.” This collaboration has raised questions about Maruthi’s filmmaking approach. Will he adapt to Prabhas’ high-budget, time-intensive style, or will he manage to infuse his signature efficiency into the project?

Early reports suggest a significant shift. Maruthi’s previous film, “Ee Rojullo,” was reportedly made for a mere ₹30 lakhs, a stark contrast to their current project with Prabhas, “Rajasaab.” News suggests a budget of nearly ₹4 crores spent in just four days of shooting on “Rajasaab.” Maruthi himself acknowledged this change, stating that with a different film, this budget could have produced several projects.

This collaboration has ignited a sense of anticipation. Will this shift in budgetary constraints impact Maruthi’s storytelling strengths? While fans appreciate his pragmatic approach, the potential for a high-production-value Prabhas film directed by Maruthi is undeniably exciting. Only time will tell if this collaboration will lead to a successful marriage of Maruthi’s signature style with the grandeur associated with Prabhas’ projects. The wait for “Rajasaab” promises to reveal whether this marks a definitive change in Maruthi’s filmmaking journey or a one-time foray into a new territory.