Girija Kalyanam Daily Serial – E261 – 10th Apr

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E260 – Part1 : Part2: Part3 – 10th Apr

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E259 – Part1 : Part2: Part3 – 9th Apr
E259- Part1 : Part2: Part3 -8th Apr
E258- Part1 : Part2: Part3 -7th Apr
E257- Part1 : Part2: Part3 -6th Apr
E256- Part1 : Part2: Part3 -5th Apr
E255- Part1 : Part2: Part3 -3rd Apr
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E252- Part1 : Part2: Part3 -31st Mar
E251- Part1 : Part2: Part3 -30th Mar
E250- Part1 : Part2: Part3 -29th Mar

E249- Part1 : Part2: Part3 -27th Mar
E248- Part1 : Part2: Part3 -26th Mar
E247- Part1 : Part2: Part3 -25th Mar
E246- Part1 : Part2: Part3 -24th Mar
E245- Part1 : Part2: Part3 -23rd Mar
E244- Part1 : Part2: Part3 -22nd Mar
E243- Part1 : Part2: Part3 -20th Mar
E242- Part1 : Part2: Part3 – 19th Mar
E241 – Part1 : Part2: Part3 – 18th Mar
E240 – Part1 : Part2: Part3 – 17th Mar
E239 – Part1 : Part2: Part3 – 16th Mar
E238 – Part1 : Part2: Part3 – 15th Mar
E237 – Part1 : Part2: Part3 – 12th Mar
E236 – Part1 : Part2: Part3 – 11th Mar
E235 – Part1 : Part2: Part3 – 10th Mar
E234 – Part1 : Part2: Part3 – 9th Mar
E233 – Part1 : Part2: Part3 – 8th Mar
E232 – Part1 : Part2: Part3 – 4th Mar
E231 – Part1 : Part2: Part3 – 3rd Mar
E230 – Part1 : Part2: Part3 – 2nd Mar
E229 – Part1 : Part2: Part3 – 1st Mar
E228 – Part1 : Part2: Part3 – 26th Feb
E228 – Part1 : Part2: Part3 – 26th Feb
E227 – Part1 : Part2: Part3 – 25th Feb
E226 – Part1 : Part2: Part3 – 24th Feb
E225 – Part1 : Part2: Part3 – 23rd Feb
E224 – Part1 : Part2: Part3 – 22nd Feb
E223 – Part1 : Part2: Part3 – 20th Feb
E221 – Part1 : Part2: Part3 – 18th Feb
E221 – Part1 : Part2: Part3 – 17th Feb
E220 – Part1 : Part2: Part3 – 16th Feb
E219 – Part1 : Part2: Part3 – 15th Feb
E218 – Part1 : Part2: Part3 – 13th Feb
E217 – Part1 : Part2: Part3 – 12th Feb
E216 – Part1 : Part2: Part3 – 11th Feb


Recent Random Post:

A Shift in Gears: Maruthi’s Evolving Filmmaking Approach

March 24, 2024

Maruthi, a name synonymous with successful low-budget films in Tollywood, has carved a niche for himself by prioritizing strong narratives over big stars and extravagant productions. Films like “Ee Rojullo” and “Bus Stop” stand as testaments to his ability to deliver compelling stories with a focus on efficiency. Even when collaborating with established actors like in “Bhale Bhale Magadivoy” and “Mahanubhavudu,” Maruthi maintained his signature style, keeping budgets tight and production schedules swift.

However, a recent development has sparked intrigue amongst fans. Maruthi is now directing Prabhas, the pan-Indian superstar known for his larger-than-life projects like “Baahubali.” This collaboration has raised questions about Maruthi’s filmmaking approach. Will he adapt to Prabhas’ high-budget, time-intensive style, or will he manage to infuse his signature efficiency into the project?

Early reports suggest a significant shift. Maruthi’s previous film, “Ee Rojullo,” was reportedly made for a mere ₹30 lakhs, a stark contrast to their current project with Prabhas, “Rajasaab.” News suggests a budget of nearly ₹4 crores spent in just four days of shooting on “Rajasaab.” Maruthi himself acknowledged this change, stating that with a different film, this budget could have produced several projects.

This collaboration has ignited a sense of anticipation. Will this shift in budgetary constraints impact Maruthi’s storytelling strengths? While fans appreciate his pragmatic approach, the potential for a high-production-value Prabhas film directed by Maruthi is undeniably exciting. Only time will tell if this collaboration will lead to a successful marriage of Maruthi’s signature style with the grandeur associated with Prabhas’ projects. The wait for “Rajasaab” promises to reveal whether this marks a definitive change in Maruthi’s filmmaking journey or a one-time foray into a new territory.