Alauddin Daily Serial – E160 – 21st April

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Latest Episodes:

E160 – Part1 : Part2: Part3 – 21st April

E159 – Part1 : Part2: Part3 – 16th April
E158 – Part1 : Part2: Part3 – 15th April
E157 – Part1 : Part2: Part3 – 14th April
E156 – Part1 : Part2: Part3 – 13th April
E155 – Part1 : Part2: Part3 – 9th April
E154 – Part1 : Part2: Part3 – 8th April
E153 – Part1 : Part2: Part3 – 7th April
E152 – Part1 : Part2: Part3 – 6th April
E150 – Part1 : Part2: Part3 – 2nd April
E148 – Part1 : Part2 : Part3 – 27th March
E147 – Part1 : Part2 : Part3 – 26th March
E146 – Part1 : Part2 : Part3 – 24th March
E145 – Part1 : Part2 : Part3 – 23rd March
E144 – Part1 : Part2 : Part3 – 20th March
E143 – Part1 : Part2 : Part3 – 19th March
E143 – Part1 : Part2 : Part3 – 18th March
E142- Part1 : Part2 : Part3 – 17th March
E141- Part1 : Part2 : Part3 – 16th March
E140 – Part1 : Part2 : Part3 – 14th March
E139 – Part1 : Part2 : Part3 – 13th March
E138 – Part1 : Part2 : Part3 – 12th March
E137 – Part1 : Part2 : Part3 – 11th March
E136 – Part1 : Part2 : Part3 – 10th March
E135 – Part1 : Part2 : Part3 – 9th March
E134 – Part1 : Part2 : Part3 – 7th March
E133 – Part1 : Part2 : Part3 – 6th March
E132 – Part1 : Part2 : Part3 – 5th March
E131 – Part1 : Part2 : Part3 – 4th March
E130 – Part1 : Part2 : Part3 – 3rd March
E129 – Part1 : Part2 : Part3 – 2nd March
E128 – Part1 : Part2 : Part3 – 29th Feb
E127 – Part1 : Part2 : Part3 – 28th Feb
E126 – Part1 : Part2 : Part3 – 27th Feb
E125 – Part1 : Part2 : Part3 – 26th Feb
E124 – Part1 : Part2 : Part3 – 25th Feb
E123 – Part1 : Part2 : Part3 – 24th Feb
E122 – Part1 : Part2 : Part3 – 22nd Feb
E121 – Part1 : Part2 : Part3 – 21st Feb
E120 – Part1 : Part2 : Part3 – 20th Feb


Recent Random Post:

A Shift in Gears: Maruthi’s Evolving Filmmaking Approach

March 24, 2024

Maruthi, a name synonymous with successful low-budget films in Tollywood, has carved a niche for himself by prioritizing strong narratives over big stars and extravagant productions. Films like “Ee Rojullo” and “Bus Stop” stand as testaments to his ability to deliver compelling stories with a focus on efficiency. Even when collaborating with established actors like in “Bhale Bhale Magadivoy” and “Mahanubhavudu,” Maruthi maintained his signature style, keeping budgets tight and production schedules swift.

However, a recent development has sparked intrigue amongst fans. Maruthi is now directing Prabhas, the pan-Indian superstar known for his larger-than-life projects like “Baahubali.” This collaboration has raised questions about Maruthi’s filmmaking approach. Will he adapt to Prabhas’ high-budget, time-intensive style, or will he manage to infuse his signature efficiency into the project?

Early reports suggest a significant shift. Maruthi’s previous film, “Ee Rojullo,” was reportedly made for a mere ₹30 lakhs, a stark contrast to their current project with Prabhas, “Rajasaab.” News suggests a budget of nearly ₹4 crores spent in just four days of shooting on “Rajasaab.” Maruthi himself acknowledged this change, stating that with a different film, this budget could have produced several projects.

This collaboration has ignited a sense of anticipation. Will this shift in budgetary constraints impact Maruthi’s storytelling strengths? While fans appreciate his pragmatic approach, the potential for a high-production-value Prabhas film directed by Maruthi is undeniably exciting. Only time will tell if this collaboration will lead to a successful marriage of Maruthi’s signature style with the grandeur associated with Prabhas’ projects. The wait for “Rajasaab” promises to reveal whether this marks a definitive change in Maruthi’s filmmaking journey or a one-time foray into a new territory.